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Jamie Holdham

Jamie Holdham

1:49	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
Violin 1	21	7	5	4	76%
Violin 2	10	9	2	4	76%
Violoncello	11	0	3	4	76%
Timpani	2	0	0	2	64%
Bassoon	7	0	1	1	40%
Clarinetti in B♭	10	8	1	2	40%
Corni in C	4	2	0	2	36%
Vla.Solo	26	0	5	8	36%
Oboi	11	8	1	1	32%
Flauti	7	6	1	1	16%
Trumpet in C	2	1	0	1	12%
Trombones	6	3	1	1	8%

Jamie Holdham

2:40	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II.	32	9	12	5	98%
Viola.	21	24	6	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II.	32	9	12	5	98%
Viola.	21	24	6	5	98%
Fagotti.	22	18	8	6	95%
Oboi.	17	16	5	6	94%
Violino I.	26	8	7	5	91%
Clarinetti in A.	19	15	5	6	89%
Violoncello e Basso.	31	0	12	4	80%
Flauti.	22	6	6	5	75%
Corni in A.	7	3	1	4	66%
Trombe in D.	9	5	1	3	58%
Timpani in A.E.	2	0	0	1	45%
Basso.	29	0	11	4	30%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Bach - Fantasia in G Major.

Jamie Holdham

4:14	Est. Play Time
138	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	26	9	8	99%
	24	8	7	91%
	21	7	5	75%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	26	9	8	99%
	24	8	7	91%
	21	7	5	75%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncell.	25	0	12	2	87%
1.Violine.	23	0	11	2	85%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncell.	25	0	12	2	87%
1.Violine.	23	0	11	2	85%
2.Violine.	23	0	11	1	80%
Bratsche.	19	0	9	1	80%
Contrabass.	25	0	12	1	77%
3 Posaunen.	24	40	9	4	55%
3 FAGOTTE.	31	39	12	4	51%
4 Horner in Es.	13	0	11	8	42%
1. und 2.Clarinette in B.	14	0	3	8	42%
1.und 2. Hoboe.	14	0	3	8	42%
BASS-TUBA.	22	0	7	4	42%
E Horn	13	0	11	8	42%
2 Trompeten in Es.	8	9	0	10	34%
1 Pauke.	4	0	2	8	33%
2 Trompeten in F.	6	3	1	9	30%
2 Pauken.	4	0	2	9	29%
2 Trompeten in D.	7	8	5	8	21%

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelli.	33	4	20	8	81%
BRATSCHEN.	35	21	22	9	78%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelli.	33	4	20	8	81%
BRATSCHEN.	35	21	22	9	78%
Bassoon	28	8	16	6	70%
	23	0	15	4	51%
3 FAGOTTE.	28	0	14	4	67%
Englisch Horn.	20	0	10	7	66%
Kontrabasse.	24	5	17	4	66%
Violins	36	3	21	10	66%
I. Violinen. II.	39	3	25	10	56%
2 HOBOEN.	21	0	12	7	54%
A Clarinet	29	0	16	7	54%
Bassklarinette. in A.	27	0	15	6	53%
2 Klarinetten. in A.	24	0	11	7	47%
Oboe	23	0	14	7	46%
Horn in F	18	0	10	6	41%
	24	0	16	4	39%
	16	0	9	6	41%
in F. 4 Horner. in E.	23	0	13	6	41%
2 Floten. (kl.Flote.)	21	0	13	7	37%
Flute	18	0	10	7	24%
Pauken.	4	0	0	3	12%
3 POSAUNEN.	7	2	4	5	11%
Bass Trombone	13	6	5	4	11%
Basstuba.	12	0	4	4	8%
3 Trompetten. in F.	3	0	1	4	3%
F Trumpet	3	0	1	4	3%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
Contrabasse Tuben.	26	0	13	6	89%
BRATSCHEN.	24	16	9	5	86%
Bass Trombone	26	0	14	6	84%
Contrabasse Posaunen.	24	0	13	5	84%
Violoncelle.	31	5	14	7	84%
Bassclarinetten.	18	0	7	6	82%
Contrabasse.	22	3	10	8	82%
I. Violinen. II.	27	4	11	6	77%
Violins	27	4	11	6	77%
Bass-Tuba. (in B.)	28	0	12	4	64%
Horner. (in F.)	16	2	5	5	62%
Horn in F	15	2	5	5	62%
Clarinetten. (in Bb.)	15	5	6	7	60%
B♭ Clarinet	27	3	11	7	56%
F Trumpet	12	0	1	6	55%
Tenor-Tuba. (in Es.)	21	1	9	4	54%
(2 Tenor.) 3 Posaunen. (1 Basse.)	15	0	5	8	50%
Tenor Trombone	15	0	4	8	50%
3 Hoboen.	13	6	4	5	47%
2 Trompetten. (in F.)	14	1	2	5	45%
Oboe	16	4	6	5	44%
Englishes Horner.	16	0	6	5	43%
Bass Trompeten. (in D.)	9	0	3	6	32%
Flute	4	2	2	3	21%
Timpani	5	0	2	4	17%
3 Floten.	6	0	2	4	16%
2 Pauken.	3	0	1	4	9%